In this series of artworks, I explore the theme of connection and how individuals react to moments in time. By considering perspective, I emphasise that each experience is unique and cannot be fully understood by those around it, as they have viewed it differently or not at all. The artworks below were exhibited at the end-of-year exhibition at the University of Staffordshire, titled 'Omina'.
January 2024 - May 2024
The photo was taken by someone who was a passenger in a car being captivated by the city lights. Photos don't capture the justice to his extended experience with the view, but they reflect the idea that you can't recreate an experience, even if it happened in less than a second. Before he showed me the image, I asked him to describe it from his perspective to gain a more personal understanding. He shared a story about a road that shows a journey not between him and the lights. He explained that he would only appreciate the view from a distance. I loved the idea of ‘distance’ and how that can change viewpoints and outcomes.
Exploring how others experience moments from an external viewpoint. I captured a relative in a moment of hesitation, feeling captivated by what he perceived as a breathtaking view. Yet, from an outsider's perspective, it appears less remarkable. This exploration of perspective fascinates me, highlighting the divide between the observer and the subject. This piece has influenced my practice, motivating me to continue using landscapes to evoke a sense of ambiguity.
In creating this painting, I wanted to establish a focal point that enhances the viewer's experience. I used long exposure techniques to capture moments as a blur, emphasising the fleeting nature of time. I chose a round canvas to bring out this unique perspective.
With controlled brush strokes in a single direction, I highlighted the linear progression of time. By deepening the colors, I aimed to provoke a stronger emotional reaction from the audience.
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